英语翻译高手请进门,译成汉语

The Last Supper is regarded as one of the greatest masterpieces (杰作) in the whole field of pictorial art, Tradition says that Leonardo da Vinci worked for ten years upon the painting, and the monks(修道士)in the church were angered at the delay. It was said that Leonardo often painted continuously from dawn to night without eating his meals. But at other times he spent hours before the picture, lost in contemplation,examining, comparing, and measuring wih his figures.

This inactivity aroused the anger of the fussy(爱挑剔的)Prior, the head of the church, Who belonged to the large group of those who believe that the busier a man seems, the more he completes; and so he tried to find fault with the lazy painter. Leonardo was slightly unhappy and explained to somebody else that there is a great diffidence between the work of the creative artist and the stonemason(石匠).The creative artist needs time for contemplation ; he may be busiest when his hands are idlest. Just now he needed two heads to complete the picture: that of Christ, for which no model on earth could be found, for it was hard to find the man whose face would express the strength, and beauty, and tenderness, and deep sorrow of the Christ; then he also needed a head for Judas, and it was hard to find he man whose face could express the meanness of that base traitor (卑鄙的叛徒). But he would look no further, if none came his way , he would be satisfied to take the Prior as a model for Judas. This threat silenced the angy Prior, who quite naturally had no desire to present himself to descendants (后代)in sach a fashion.

本人翻译绝对是手打口译，不是害人的翻译机。总译和分译如下，个别地方意译：
总译：
最后的晚餐被认为是绘画艺术史上的伟大杰作。据说达芬奇画了十年，教堂的修道士们等的大为光火。达芬奇不但废寝忘食、夜以继日地绘制，并且经常数小时在画前沉思、凝视、比较、测量。
达芬奇的沉思惹怒了教堂的主教，和大多数其他人一样，他认为一个人越忙完成的就越多。达芬奇有点生气，他对其他人解释说：一个具有创造性的画家和石匠是不同的，画家要沉思，画家的手可能什么都没做，但他的脑子可能在激烈地运算思考。在画中他要画出两个人的面部表情，一个是耶稣，因为我们找不到类似他的模特，所以要画出他脸部的坚毅、美丽、慈悲和悲伤是很难的。另一个是犹大，这个叛徒面部的低劣卑鄙也是很难画的。如果主教等不及的话，就以他做为犹大的模型了。主教见此不敢再生气了，他可不想后代子孙把他当成犹大。

分译：
The Last Supper is regarded as one of the greatest masterpieces (杰作) in the whole field of pictorial art, Tradition says that Leonardo da Vinci worked for ten years upon the painting, and the monks(修道士)in the church were angered at the delay. It was said that Leonardo often painted continuously from dawn to night without eating his meals. But at other times he spent hours before the picture, lost in contemplation,examining, comparing, and measuring wih his figures.
最后的晚餐被认为是绘画艺术史上的伟大杰作。据说达芬奇画了十年，教堂的修道士们等的大为光火。达芬奇不但废寝忘食、夜以继日地绘制，并且经常数小时在画前沉思、凝视、比较、测量。

This inactivity aroused the anger of the fussy(爱挑剔的)Prior, the head of the church, Who belonged to the large group of those who believe that the busier a man seems, the more he completes; and so he tried to find fault with the lazy painter. Leonardo was slightly unhappy and explained to somebody else that there is a great diffidence between the work of the creative artist and the stonemason(石匠).The creative artist needs time for contemplation ; he may be busiest when his hands are idlest. Just now he needed two heads to complete the picture: that of Christ, for which no model on earth could be found, for it was hard to find the man whose face would express the strength, and beauty, and tenderness, and deep sorrow of the Christ; then he also needed a head for Judas, and it was hard to find he man whose face could express the meanness of that base traitor (卑鄙的叛徒). But he would look no further, if none came his way , he would be satisfied to take the Prior as a model for Judas. This threat silenced the angy Prior, who quite naturally had no desire to present himself to descendants (后代)in sach a fashion
达芬奇的沉思惹怒了教堂的主教，和大多数其他人一样，他认为一个人越忙完成的就越多。达芬奇有点生气，他对其他人解释说：一个具有创造性的画家和石匠是不同的，画家要沉思，画家的手可能什么都没做，但他的脑子可能在激烈地运算思考。在画中他要画出两个人的面部表情，一个是耶稣，因为我们找不到类似他的模特，所以要画出他脸部的坚毅、美丽、慈悲和悲伤是很难的。另一个是犹大，这个叛徒面部的低劣卑鄙也是很难画的。如果主教等不及的话，就以他做为犹大的模型了。主教见此不敢再生气了，他可不想后代子孙把他当成犹大。

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